Survival! For the Comprehensible Hebrew Classroom

As we careen toward פסח and then to the end of another Hebrew school year, I’ve transitioned from my role as teacher trainer and lesson modeler, to coach and mentor.  I enjoy observing and providing positive feedback to my colleagues as they experiment with their newly adopted teaching with comprehensible input (T/CI) strategies, and I continue to learn so much about how to support both our students’ Hebrew acquisition, and our teachers’ acquisition of the T/CI skills!

My coach/mentor comments after I observe a lesson focus on:

  1.  What the teacher did to help her students feel welcome and comfortable (to keep the affective filter low, and optimize the environment for acquisition);
  2.  How she made the Hebrew comprehensible, contextualized and compelling for her students.

One pattern I have found across observations is the need for a compilation of Survival Hebrew for the CI Classroom.  We need to have Hebrew go-to phrases for general classroom management; materials distribution and collection; director’s cues for student actor dramatization, and more.  Of course every time we try something new requiring instructions, we can make the Hebrew utterance comprehensible by establishing meaning (writing the Hebrew and it’s English counterpart clearly on the board, followed by gesturing and other extra-linguistic supports).  Of key importance is maintaining the flow of input in Hebrew without constant English intrusion or code-switching (i.e., alternating between languages in the context of a single conversation).

Incorporate the specific required ‘teacher talk’ only as the need arises.  If, for example, you don’t use the dry erase boards, markers and erasers for the first say, 3 weeks of school, concentrating instead on flooding students with aural input, then when you do decide to bust out the materials, think through both the distribution/collection protocol (so that it’s efficient and repeatable) and the Hebrew you will use to operationalize the task.  There are the names of the materials to consider, and also such imperatives as:  Take, pass, put, give, open/close (the door/marker); draw, show, write, and erase, just to name a few!  Practicing a subset of these commands in advance, a la Total Physical Response (TPR), is both a fun way to manipulate the materials as well as an effective form of comprehensible input.  This year, I had my Hebrew students practice manipulating the materials according to my instructions for a few short minutes, every time we used them.  (For a discussion on TPR, see this blogpost.)  Many successful CI teachers have very particular protocols for materials management, allowing them to minimize interruptions & English usage, while maximizing target language input and enjoying a concrete demonstration of student comprehension.

Here’s an example of using target language to manage materials distribution.  Notice how I choose a simple way to express my wish, and then repeat the heck out of it, using individual students’ names, while they manipulate the materials.  It feels kind of like kindergarten, only for our students, it’s more novel and challenging in a new language!  I designate some passers (often people sitting at the end of the row) to distribute a row’s worth of boards, pens, or erasers to their neighbor, who then passes across the row.  Materials are also collected row-at-a-time in this fashion.  So to practice, I might say,

“Chaim, you give 5 boards/pens/erasers to Shira.

Shira, you take one board/pen/eraser and please give the boards/pens/erasers to Yoni.

Yoni, please take one board/pen/eraser and give the boards/pens/erasers to Ronit,” etc.

Hopefully, you can see how such narration and repetition during this ‘training’ phase also provides tons of contextualized comprehensible input!  To spice it up, some teachers practice this (narrated or not!) distribution routine with a timer, and repeatedly try to beat their class’ best time.

I’ve added my Classroom Management and Survival Hebrew to the bottom of my Hebrew Corpus.  It’s a go-to list for some of the survival Hebrew that might arise in your T/CI classroom.  I invite you to respond to this post with suggestions for additional entries, as the list will be periodically updated.  Please note that not all the classroom directions need be expressed in the ציווי or imperative tense.  We can also express commands using the Hebrew infinitive, and in the indicative, as in, “Now you (the students) are drawing a giraffe.”  We can sometimes change the ‘person’ when speaking to an individual (male or female) or the group, so long as we establish meaning, without grammar explanations, unless specifically asked (grammar explanation requests are rare among young learners).  There are no rules about this, except that we don’t interrupt the flow of Hebrew by naming or explaining (in English) which tense/person we are using and why, or how the tenses/persons are formed, or how they compare to one another.  We’re just going to say it; establish meaning (translate the Hebrew utterance by writing underneath in English); and when possible, add a gesture and/or use a prop to help support understanding.  And don’t forget, for our novice learners we can choose to substitute an oral instruction for an extra-linguistic prompt, as in gestures & facial expressions, which can be combined with props, pictures and sketches.

It’s my hope that having a handy list of common classroom management expressions to be introduced and used as needed will help keep our Hebrew comprehensible input train chugging happily along the rails!

Hebrew Through Movement And TPR

When I first embarked on my Reimagining Hebrew Instruction project, I scoured the internet for Comprehensible Input-aligned modern Hebrew resources for my classroom and blog.  I found close to nothing, and I do mean, כלום.

One link that kept popping up in my searches was עִבְרִית בִּתְנוּעָה – Hebrew Through Movement (HTM).  Turns out this is a popular program, and has been adopted by many synagogue-based supplementary Hebrew schools.

I won’t denounce it or any SLA research-aligned approach that purports to improve the experience and outcomes for our Hebrew learners (acquirers), though I do have issues with HTM.

What is  עִבְרִית בִּתְנוּעָה  – Hebrew Through Movement – and what’s my beef with it?

According to its website description, Hebrew Through Movement (HTM) is:

“…a language acquisition strategy in which students learn Hebrew by hearing and responding to Hebrew commands.  עִבְרִית בִּתְנוּעָה is an adaptation of James J. Asher’s Total Physical Response (TPR).[1]  While TPR was designed by Asher as the foundation of a full language program, it has also been effective in situations with limited language goals.   Hebrew Through Movement is being used in Jewish congregations, day schools, camps, early childhood programs and other settings.  This curriculum guide for עִבְרִית בִּתְנוּעָה starts with a foundation in modern Hebrew, but has as its goal making the prayers in our siddur, as well as synagogue and Jewish vocabulary, more easily accessible to those with limited learning time.  HTM does not teach communicative Hebrew, but students can easily move on to other Hebrew forms.” (Bold mine).

My first wondering is one of focus and purpose.  If HTM calls itself a ‘language acquisition strategy,’ then, since language is a tool for communication, it ought to teach communicative Hebrew skills.  But the above explanation clearly specifies that HTM does not.

Also, HTM severely constrains a powerful and research-endorsed tool, TPR, to make isolated “synagogue and Jewish vocabulary” accessible to students.  But, to what end?  What are our kids supposed to be able to do with those isolated terms?  Wouldn’t a program claiming to teach Modern Hebrew be better off using such a communicative tool as it was intended –  for real communication? And, if the purpose of HTM is also familiarity with the artifacts and observances of Jewish life, then why teach those thematic targets through movement?  Why beat around the bush?  Just call a shofar a shofar!

Furthermore, if the goal is to familiarize kids with siddur prayers, then how does slathering on dozens of modern Hebrew verbs, (served up only in the infinitive form,) help us reach that goal?

עִבְרִית בִּתְנוּעָה (HTM) started with the great idea of exploiting TPR, an ideal conduit for delivering Comprehensible Input, so our kids could hear the sounds and cadence of our Israeli mother tongue. In TPR students respond to the instructor’s commands through whole body movement rather than words.  “Students are not asked to speak, only to try to understand and obey the command.” (Krashen, 1998)*

But then, to my mind,  HTM meandered astray, attempting to stuff and cover all the traditional Hebrew school content – language, religion, prayer, holidays, customs & traditions –  with this one tool-turned-curricular package.

Surely Modern Hebrew overlaps with specific ‘synagogue and Jewish vocabulary’ and prayer words from the siddur.  But if we limit our Modern Hebrew instruction to a field delineated by this religious/cultural criteria, our kids won’t come away experiencing Hebrew as a World Language for communication, and certainly won’t engage in real-world Hebrew usage.  We must provide a flood of comprehensible, compelling and contextualized Hebrew for our students to acquire it – not merely commands using pre-selected Jewish lifecycle vocabulary.

Can TPR help us facilitate Hebrew language acquisition?  Absolutely!  TPR is an effective and appropriate comprehensible input tool for language teachers, and has the added benefit of providing much needed and developmentally appropriate movement and brain breaks to our young students. But is a steady diet of action commands, based on Jewish artifacts and prayers a la HTM, compelling to kids?  I think not.

Dr. Krashen writes, “TPR is not a complete method.  It cannot do the entire job of language teaching, nor was it designed to do this.  For beginners, there are several other powerful means of supplying comprehensible input, means that utilize other ways of making input comprehensible (e.g. the use of background knowledge and pictures, as in story telling).”

I say, let’s use TPR in our Hebrew classrooms as a tool for delivering comprehensible input, but not exclusively.  Let’s not hijack it with a religious studies agenda – inserting prayers and isolated Jewish and synagogue words at the expense of the most practical and high-frequency foundational language.  Let’s use correct grammar in context as we need it, and not restrict our utterances to one tense, for fear of letting the conjugation cat out of the bag.  So long as we insure our messages are comprehensible, our students will acquire.

Finally, let’s deliver Hebrew messages worthy of our students’ attention – by having our kids collaborate and create with us, on scenes, stories and conversation.

Oh, and the siddur prayers probably belong in a different conversation, altogether.

*See my Hebrew Day 1 Demo; lots of TPR especially near the end.

Assessing Acquisition

If you follow my blog, you’re probably used to reading this again and again by now:  When the input is comprehensible and compelling, chances are good that our students will acquire the language.

BUT HOW WILL WE KNOW FOR SURE?

Of course, Pearson has a device-based a$$essment for that.  But really for language acquisition, it’s pretty Old School.  You start with this Essential Question:

‘Do my students understand the message, and can they show me?’

So as you are chatting, asking story details, reviewing the facts, dramatizing, reading a leveled novel, viewing/narrating a video clip, etc., you insure that your students are comprehending language in real time.  How?  You teach to the eyes, you monitor individual and choral responses, you measure engagement (student posture, eye contact, appropriate reactions – laughter, surprise, rejoinders), you may occasionally even ask, “What does this (word) mean?” or have the group translate a sentence or passage into English.  These ongoing formative assessments insure that the input is always comprehensible. (See Teaching with Comprehensible Input Foundational Skills, here.)

Knowing that Comprehensible Input drives acquisition strongly suggests that the great majority of class time, particularly for novice-level learners, ought to be spent taking in the target language – either aurally or through reading (‘input’ or ‘receptive’ skills).  And yet, many novice level language assessments focus equally on writing and speaking, the two later-acquired ‘output’ or ‘productive’ language skills.  (For a discussion of input before output, read this.) During the first several hundred hours of instruction, students require copious amounts of compelling comprehensible input, and their progress, therefore, ought only be monitored through measures of comprehension.

Before digging into what an SLA-informed comprehension-based assessment for young novices might look like, I feel compelled to question our motive for formally assessing students before 5th grade, with, depending on the program offering, fewer than 300+ hours in the target language under their belts.  By formally, I’m referring to nationally normed foreign language assessments such as the ELLOPA (Early Language Listening and Oral Proficiency Assessment for grades PreK-2) or SOPA (Student Oral Proficiency Assessment for grades 2-8).  These are “…language proficiency assessment instruments designed [by the Center for Applied Linguistics or CAL] to allow students to demonstrate their highest level of performance in oral fluency, grammar, vocabulary, and listening comprehension.”  Another similar commonly used assessment tool is the Avant STAMP 4Se (Standards-based Measurement of Proficiency, grades 2-6):  “STAMP’s [computer interface] adaptive test design adjusts to a student’s level so s/he is challenged, but not overwhelmed.”  These instruments claim to dovetail with the American Council for Teacher of Foreign Languages (ACTFL) proficiency guidelines, yielding a ranking in each of the 4 language skills:  Listening, Speaking, Reading and Writing.  Such inventories also claim to help schools and language programs “refocus their curricula and introduce professional development to hone their teachers’ ability to deliver improved outcomes.” (STAMP 4Se)

BUT AGAIN, WHY WOULD WE ASSESS THE OUTPUT SKILLS [Writing and Speaking] OF OUR YOUNG NOVICES?

Instead, here are some teacher-made test item types that might comprise a comprehension-based assessment for the young novice language learner (acquirer):

•Listen to a prompt and circle the correct picture representation of it.

•While viewing an image or storyboard, re-order the pictures according to the Hebrew oral story or instructions, or answer Yes/No or Either/Or questions.

•Demonstrate comprehension through oral performance-based tasks such as those in a Total Physical Response (TPR) series (i.e., Simon Says) or Listen & Draw.

•Listen to a brief mini-story in Hebrew, and circle the correct facts, in English (this way the student demonstrates comprehension, not just recognition of similar Hebrew text/words).

•(For literate students):  Demonstrate comprehension by reading performance-based tasks (i.e., written instructions for drawing a picture).

What do all these novice level assessment items have in common?  They require comprehension of the aural or written message, but they don’t require speaking or writing (output).  They rely on language that the student has already been exposed to, but in novel contexts.  They don’t ask the students to produce language beyond their level of acquisition.  No oral interviews which presuppose facility and control at the discourse level.  The tasks and items are unrehearsed, not studied or practiced.  The assessment doesn’t emphasize grammatical accuracy or discreet vocabulary knowledge.  In these ways, students can demonstrate what they do know, and not feel anxiety or shame for what they don’t.

For the novice-mid level and up through the intermediate low (again on the ACTLF proficiency scale), teachers may ask students of say grades 6 and up to do prompted free writes, in which the students write in Hebrew as much as they can on a given topic, or retell a story that was generated in class.  Here, teachers simply count the Hebrew words (proper nouns like ‘Disneyland’ and ‘Barney’ are excluded), and watch the length of these writings grow over time.  They are not corrected, but rather assessed for comprehensibility and complexity, and may provide critical information to the teacher.  If the same written error is repeated by several students, the teacher may choose to include the difficult or confusing word chunk in her classroom banter and story-asking, in order for her students to hear it correctly,  repeatedly but without drilling, and in context.

Video-recorded student retells also provide insight for the conscientious teacher and her students.  While not all students need be recorded at each testing interval, the teacher may choose to collect such documentation to:  share with parents as a window into their child’s developing proficiency; study for patterns, holes and phenomena;  gather longitudinal data for comparison/documentation in a portfolio.  Such extemporaneous output-based assessments are not recommended for beginner novices who have yet to build a Hebrew language foundation.  Open-ended oral interviews are frustrating and discouraging for novice-low students.

Let’s review:

Our assessments ought to reflect what we’re doing in class (T/CI for novice through intermediate-level classes), and provide valuable feedback for informing and refining our instruction;

According to SLA research, we can’t expect our students to speak and write before they’ve had copious amounts of comprehensible input [“A flood of input for a trickle of output,” Wynn Wong];

By teaching with CI, our students develop spontaneous, unrehearsed, and fluent output.  Even our novice students create with language in response to our constant questioning, although it may only be in short-answer format;

Assessment that triggers the affective filter (i.e., anxiety) or discourages our ‘language babies’ is counter-productive for students and teachers alike;

Teacher-student interactions ought to focus on meaning, not form (grammar, syntax, morphology, phonology);

The best way to measure acquisition for beginners is to teach to the eyes, form a trusting community in which the affective filter remains low, and collaborate on compelling comprehensible input;

Early start-long sequence language programs are better in the long run, affording students a better ear and accent, more exposure to late-acquired features, and overall more time to acquire;

We can do our best to optimize the input, but we can’t rush Mother Nature!

Go With The Flow

As usual, this past Wednesday I wasn’t sure where my Hebrew classes would take me.  Where would our conversation meander, with my prompting and guidance, and what hi-frequency language could I wrangle from it?screen-shot-2016-10-29-at-10-46-36-am  I knew we needed to keep playing with the hi-frequency language we’d used thus far, and I was wary to start introducing more new words.  The previous (Sunday) Hebrew class was so short – I teach three consecutive 20-minute classes – and with transition and settling time, the kids barely get 12-15 minutes of Hebrew instruction.  Wednesday’s 35-minute classes are the heart of the program.

I loosely planned to continue with our (cognate-filled) animal story from the previous week.  I’d surveyed the kids about their pets while circling doesn’t/have, goes and wants  ( יש, אין, הולך, רוצה).*

screen-shot-2016-10-30-at-5-02-08-pm
Then I sent a pet-seeking volunteer to various pet stores (location posters) around the room, where the shopkeeper (classmate) offered a gorilla, flamingo, zebra, or giraffe.  I was willing to see where the story would go, prepared to layer on a new hi-frequency structure or two, as necessary (i.e., takes it home; buys it; says to –       לוקח הביתה, קונה, אומר ל).baby_giraffe_cartoon-994

The best laid plans….

Wednesday was a rainy, gloomy evening, and the Chicago Cubs had just lost Game 1 of the World Series, 6-0, the night before.  The kids looked tired when they entered the Hebrew room.  I asked some icebreaker questions with charades-like gesturing:  Are you hungry?  Are you sad?  Are you tired?  Presto!  The majority of the kids were understandably exhausted, having been up late the night before watching the Cubs’ drubbing.  I promptly wrote:  אני עייפה, אני עייף  and their translation, I’m tired, on the board.  One of the teachers offered, אני ממש עייפה – ‘I’m REALLY tired!’ and after we established the meaning of the phrase, several boys and girls agreed:    ‘!אני ממש עייף!’   ‘אני ממש עייפה’th

Being the conscientious professional that I am, I did as any self-respecting Jewish Mother-turned Hebrew School teacher would.  I offered them a nice nap.  Right then and there.                           ‘?את/אתה רוצה לישון’  ‘Do you want to sleep?’  One volunteer ‘slept’ on a bed made of 3 class chairs lined up side by side, while his bunkmate slumbered beneath.  A girl snored loudly under a table in the corner, as did a boy on the opposite side of the classroom.  Yet another student sprawled out under her seat.  We (remaining & awake audience members) checked on each of our nappers.  ‘Is s/he tired?  Is s/he sleeping?   Wow!  S/he’s really sleeping!  S/he’s really tired!’  I called up assistants to gently awaken the nappers.  We tried coaxing our sleepers to their feet with soft whispers, light tickling and improvised songs (I led a בוקר טוב = Good Morning song to the tune of, “If You’re Happy and You Know It”).  A girl in one class suggested we tickle our sleepers with my rubber lettuce leaf -סלט – under their noses.  It worked!  We continued around the room playing with each sleeping kid, mirthfully attempting to wake them while getting tons of repetitions on phrases such as, ‘S/he’s sleeping; s/he wants to sleep; s/he is tired.’  Finally, as time ran out, we reached consensus on an appropriate alarm clock sound, and woke our slumberers with a choral sound effect:  Beeeeeeeps, rrrrrinnnngs, and one class decided on a continuous loop of, “!קום בבקשה” – ‘Get up, please!’

screen-shot-2016-10-29-at-8-28-24-pmOur scene went absolutely NOWHERE.  The initial query, “Are you tired?” set the docket for the rest of class.  We simply and gleefully played with the unlikely possibility of taking a teacher-sanctioned nap in Hebrew class.  We explored each actor’s interpretation, one after the next, affording lots of silliness, laughter, and compelling repetition.

As Dr.  Stephen Krashen, father of modern Second Language Acquisition theory says, “Language acquisition proceeds best when the input is not just comprehensible, but really interesting, even compelling; so interesting that you forget you are listening to or reading another language.”

I’ll bet most of the kids didn’t even realize, in the moment, that it was all happening in Hebrew.

*For more info on circling and other Teaching with Comprehensible Input foundational skills, check out these Powerpoint presentations:   Reimagining Modern Hebrew Language Instruction and T/CI Foundational Skills, which are also on my blog homepage tabs, Intro to T/CI and Optimizing SLA, respectively.

Finally, a class video!

Quote

I won’t bore you with my technological woes.  Suffice to say that it ain’t easy pulling a 10-minute iMovie off your iPad (unless it’s one with ginormous memory), let alone converting it into an unlisted Youtube movie.  (I lost my first completed version of the movie and had to re-create it!!)  It’s a huge time investment to edit and caption a short video…but here’s the result.  It’s Day 1 of Comprehensible Hebrew – from September 7 (around 3 weeks ago).

Let’s (see if I can) get beyond my Coke-bottle spectacles….  I’m living just beyond my comfort zone, trying to expose Hebrew teachers everywhere to another (and I believe better!) way, unflattering haircut be damned.

I don’t know this group of kids, other than my daughter, who is a current fourth grader.  (You’ll meet her in the video).  This is our first encounter ever!

A teacher recently commented to me that, “it’s like kids are allergic to languages other than English.”  And I started thinking about that metaphor.  It’s pretty apt!  When I was getting allergy shots in the 70’s, as I understood it, tiny bits of pollen and other environmental allergens were introduced, so that my blood would get used to the foreign material, and be sensitized over time.  And that’s the way it is with a new language!  The students aren’t familiar with the discreet sounds, the melody, the cadence, not to mention the grammar, syntax and morphology of Hebrew.  They don’t know the meaning of the words.  But rather than injecting Hebrew in a scary and painful shot, I have them swimming in a shallow pool of it.  And there are inflatable duckies and treats along the deck!  They will slowly be sensitized, and the familiar and acquired Hebrew will eventually feel as automatic and mindless as English!   No sneezing or swollen bloodshot eyes!

This phenomenon reminds me of a language quote I love:

“One must be drenched in words,

literally soaked in them,

to have the right ones form themselves

into the proper pattern at the right moment.”
-Hart Crane, American Poet

Back to the clip.  In this demo video I caption some of the foundational practices of Teaching with Comprehensible Input (T/CI), including:

*Pause, point & S-L-O-W

*Training the kids in the ‘Rules of the game’

*Careful listening

*Teaching to the eyes (-Susie Gross)

*Scaffolded questions

*Frequent comprehension checks

*Narrow, hi-frequency language

*Valuing effort to make meaning

*Choral responses

*Movement

*Fun!

Feel free to share the video with other Hebrew teachers and/or anyone interested in World Language instruction.

Drenching kids in comprehensible, compelling and contextualized Hebrew is my goal.

How’d I do?  I’d love your feedback!

Demystifying Hebrew Literacy: Part 1

screen-shot-2016-09-21-at-11-22-33-pmTo most American English speakers, languages written in non-Romanized letters seem impossibly difficult.  Their very unfamiliarity is off-putting at the least, and constitutes a deal-breaker for many.  “How can I possibly learn….? (Fill in the blank:  Hebrew, Mandarin, Arabic, Russian, etc.)  The writing is downright indecipherable!”

After 4 sessions (around +-2 hours total) of high-frequency-verb-containing Hebrew Comprehensible (auditory) Input, I decided it was time to shift gears for a moment and have our kids try their hand at Hebrew writing.  I also wanted to dispel any fear of ‘cursive without vowels’ for my students and their parents before it surfaced.  Not that they haven’t written Hebrew before….All but this year’s 3rd graders have explored the Hebrew written word to various degrees.  The younger grades (3rd – 5th) have mostly decoded liturgical Hebrew and have muddled through Modern Hebrew basal readers that slice and dice the language into isolated letters, phonemes and chunks in an effort to lay-in letter-sound correspondence (plus nikkud = vowels).  This laser focus on discreet sounds has been all but abandoned in most Language Arts classrooms, in favor of reading instruction centered on whole words and phrases, the building blocks of meaning.  The 6th graders explored trope last year as they prepared for their Bar and Bat Mitzvah, and have happily retained their solid decoding skills.

Since September 7, my 3rd through 7th graders have seen me establish meaning by writing words on the board in Hebrew, and translating them to English right below, regularly pausing and pointing to reinforce & connect the written word with sound with meaning.  Now it was time to scaffold another language experience where they’d feel successful and encouraged.  It called for a fail-proof process, so I employed my secret ace-in-the hole tool:  The humble and hardworking dry erase lap board.

Any multi-step procedure in the CI classroom is but a (cloaked) opportunity/invitation for careful listening and repetitions, so I turned the distribution and handling of the materials into Total Physical Response (TPR):

(בעברית)

Put your board, pen and eraser under your chair.screen-shot-2016-09-21-at-10-23-57-pmscreen-shot-2016-09-21-at-10-19-52-pm

Pick up your board.

Put your board under the chair.

Pick up the pen.  Open (un-cap) the pen.  Close the pen.

Put the pen under your chair.

Pick up the eraser.   Put the eraser under your chair.

Pick up the board.

I gestured and paused/pointed to all necessary vocabulary written on the big board.  So far so good.

Next I had the kids take off their name tags and place it on their lapboards, on the lined side (the flip side is un-lined).  I asked them to copy their Hebrew names with their pointer finger between the lines on the board.  I referred to this simple print and cursive Alef Bet poster I’d hung on the wall, reminding them that we’d be using cursive exclusively.  Finger spelling IS NOT BABYISH when you’re learning (reviewing?) to form new letters!

I invited my kids to uncap their markers and, with no regard for letter formation, copy their Hebrew names onto their dry-erase lapboards.  Again and again.  I circulated around the room with the other Hebrew teachers, insuring that the sofIT letters were long/tall enough, that the ’ר’ didn׳t look like a ’כ’ and so on.

It never fails.  Students love to skate and glide their markers across the shiny board surface.  And the task is so forgiving.  If you make a ’ד’ that looks like a ’צ’, then simply sweep it away with your eraser and try, try again.  Mistakes are good.  They mean you’re trying.  Confident students were encouraged to write their names without looking at their name tag exemplar.

Soon I was looking at a sea of proud faces and Hebrew-filled lapboards.

Next I modeled these instructions (I used some English here):

Erase your boards.

screen-shot-2016-09-21-at-11-16-11-pmStand up.

Raise one arm.

Close your eyes.

See your Hebrew name in your mind.

Copy your name in the sky.  (That’s right.  3rd through 7th graders skywriting.)

Sit down.

It was nearly time to go.  I asked who wanted to try a bit more writing – this time a complete sentence.  Hands shot up like weeds after a summer storm.

I urged them to write the word, ’אני’ followed by their Hebrew name, as in, ’אני עליזה’.  “I am Alisa.”  A notebook exercise blossomed into a meaningful message before our eyes.

Their faces lit up with success.

“Is Hebrew writing as hard as you thought it would be?”  “Not really.”

Not when you have what you need.  Not when your message is simple and narrow.screen-shot-2016-09-21-at-11-05-14-pm

Before class ended, I assigned the first ‘major’ homework assignment of the year:

To skywrite their Hebrew name as often as possible over the next few days – in the shower, in bed, in the car…. And for extra credit?  To extend to a sentence by putting ‘אני in front of it.   .אני שמחה

 

Comprehensible Hebrew on Opening Day!

Chicagoland is sweltering under a September heat wave this week.  It was nearly 90 degrees in my (day job) classroom with similar humidity (no A/C).  I taught in that before coming to teach my first ever (air conditioned!) class at TBI.  The afternoon’s festivities kept me jittery, and amid the sweaty freak-out lead-up, I realized that 30 minutes for absolute newbies would go by in a flash.  I had waaaaay over lesson-planned, so I chose to prune & snip, thereby shedding some anxiety.

screen-shot-2016-09-13-at-10-58-46-pmI wanted our kids to walk away feeling encouraged.  And successful.  And smiling.   Those were my ‘curricular goals’ from which I decided to backwards-plan.  No worries about hi-frequency structures, circling, repetitions, or the like… yet.  Just a fun, informal meeting & intro with some back-and-forth Hebrew communication.

The first group of 20+ 3rd & 4th graders included my own daughter (and #1 Hebrew cheerleader!)  I started by introducing myself to the group in Hebrew:  .אני עליזה.  אני מורה לעברית.  I wrote nearly everything I said, as it came up.  On the dry erase board in cursive/no vowels, in black, and with the English translation in red below it.  I went back to slowly pause ‘n point at it frequently.  I will be experimenting with Cold Character Reading (CCR), but these kids have also had exposure to the Alef Bet starting in 2nd grade.  So I was getting a baseline on their decoding skills.  Some were stronger than others, but it looked as though many could read the short Hebrew words and phrases on the board, when repeated, prompted and in context.  

Next, I distributed their lanyard name tags.  Most kids recognized their Hebrew names orally, but their English first & last names were pencilled on the back, just in case.  I jotted, ‘אני פה’ [‘I’m here’] on the board, and after a few repetitions, they got the hang of responding, ‘אני פה’  when they heard their name.  I modeled courtesy with ‘תודה’ [‘Thank you’], and I could feel the excitement rise as the kids could readily produce these short and appropriate utterances upon hearing their name and taking their tag!  They were proud to share what they knew.  By the time all the tags were distributed, we were nearly halfway through class!  The remainder was spent doing Total Physical Response (TPR) – the kids responded to my commands, demonstrating comprehension (or not) by doing as I requested:

Stand up/sit down.  Boys stand up.  Girls sit down.  Boys sit down, girls stand up.

Next I folded in ‘slowly’ and ‘quickly.’  Boys stand up quickly;  Girls sit down slowly…  This side [of the room] stands up; the other [side] sits down….  Just as the kids were about to ease back slowly into their chairs, I commanded them to quickly stand up!  We played unpredictably like this for a few short minutes…and they LOVED it!

When time was almost up, I asked them to reflect in English about how it felt to hear Hebrew this way.  The kids pointed out that the gestures and acting supported their understanding, that they relied on the gestures.  This was a great place to teach them the ‘stop signal’ – one fist pounding the opposite palm noise that tells me, “the meaning is not clear.”

The 5th-6th-7th grade class (50+ kids) was WAY TOO BIG.  I had a challenging ‘lift-off’ due to the sheer numbers.  Passing out  nametags and meeting the students felt long and boring, and allowed English chit-chat to erupt.  Once the Comprehensible Input got going though, we steadily got our craft aloft.  During the last several minutes of this class (from +- 5:30-6:00pm), I acknowledged how hungry we all were (patting my belly and gesturing eating).  We launched into a mini-scene with one boy walking (running?) quickly to Poochie’s (local burger joint) – I’d posted a mini poster with the restaurant’s logo on one wall – while a girl walked slowly to Portillo’s (a competing local burger joint).  I asked those who liked Poochie’s to run to that classroom location s-l-o-w-l-y; and the Portillo’s-lovers to walk to theirs quickly.  Much narrated walking and running between restaurants ensued.  By the end of class, the kids were standing in their respective restaurant zones, stimulated, energized and, well, HUNGRY!

Just before the bigger kids left, I asked them to reflect on today’s Hebrew class:

“All the gestures and acting helped me understand what you were saying.”

“I understood all your Hebrew words!”screen-shot-2016-10-11-at-11-33-25-am

“I could read the words on the board.”

“That was really fun!”

Encouraged, successful and smiling.  Not a bad way to end the workday.

PS:  I will try to edit and post parts of the videos of these classes soon.

PSS:  Here’s the link to the video!

https://www.youtube.com/watch?v=Pn7rsc7xDNA

Let This Groove… Get You To Move

Most public school districts in the US offer World Language to students no earlier than 6th grade, often not until high school, so it’s not surprising that as a (rare) veteran elementary-level Spanish teacher (I’ve taught grades 1 – 4 for over 20 years), I get LOTS of questions from other elementary-level language teachers about classroom management and pacing.  “How do you deal with exhausted first graders at the end of the day?”  “How often do you transition activities?”  “What do I do with wiggly kids’ endless physical energy – they CANNOT sit still!?!”

In my experience, it’s all about reading the room.

That flexibility and responsiveness PLUS some norms, routines and rituals in the ole’ tool box can really structure the class and keep it moving along in the target language with minimal distractions and interruptions (not to mention daydreaming.)

Young learners are often subject to their sensory needs (aren’t we all?) – they have to pee, pick, fiddle, diddle, tap, stand, scratch, walk, talk, and move, move, MOVE!  All this while you, the teacher, are trying to personalize, pause & point, teach to the eyes, target verb-containing structures, elicit student ideas and responses, spin a story, contain the blurters…and the list goes on!

So let’s start with some fundamentals in this post.  Practice incorporating these gems in your classes and you’ll be building your teaching sanctuary from the ground up.

  1.  Start with an entrance routine.  Choose from a variety.  A choral greeting in the target language (i.e., Good morning, class!  Good morning, Ms. Shapiro!), a song (i.e., Shalom Chaverim), a ‘move,’ (high fives all around; passing a hackey sack ball back ‘n forth with each kid, etc.) a call & response (“I LOVE SARDINES!”  “THAT’S DISGUSTING!”)- a combination of these – signals to the kids that’s they’re entering the Hebrew Zone.  It can effortlessly glide into a recap of yesterday’s story.
  2. screen-shot-2016-10-11-at-11-40-54-amEnd class with a predictable exit routine.  In my Spanish class, I adopted this courteous call & response from master Comprehensible Input teacher, Bryce Hedstrom:  I say in Spanish:  “Thanks for learning,” and the kids answer,  “Thanks for teaching.”                                                (“.תודה שלמדתם.”  “תודה שלימדת אותנו”)  This signals my students to quietly line up for dismissal.
  3. MOVE!!!  Have your elementary students transition from one zone in the classroom to another during class.  The movement and the novelty of a different location and vantage point help keep class feeling fresh.  I greet my youngest learners outside my room where I settle them at the bench with a series of sometimes silly, sometimes relevant commands, we enter the room and sit at the rug circle, and later transition to the chairs in front of the whiteboard/projection screen.  From there we often move about the room during Total Physical Response (commands; think ‘Simon Says’) time, and when we are dramatizing a story.  Movement can also constitute brain breaks, which I’ll blog about soon.Earth Wind & Fire

With these guideposts in place, you’ll be ready to spin comprehensible stories with your kids as a happy and healthy community.  Your kids will trust that you’ll:  1.  Meet their linguistic needs by insuring that your language is comprehensible and compelling; and  2.  Take care of their developmental & sensory needs, by keeping them stimulated and moving!

Related:   Let’s Groove

Our First Hebrew T/CI Training: Day 3

During training day 1 or 2, Lori, our education director suggested integrating aspects of modern Israeli life/culture into our language instruction, and while I’m not convinced of its role for novices, (and I’ll probably blog about that topic sometime soon), I took up her challenge…sort of.  I decided that our week 2 extended story-asking demo in Hebrew would be based on a cute Israeli TV commercial.  It would serve as my inspiration and qualify as an authentic resource! (Oy.  Don’t even get me started on that topic!)  I planned to ask a story, dramatize, read, and finally show the clip – as a nice Social Studies-esque tie-in.

This phase of ‘lesson planning’ is critical for T/CI teachers:  Choosing a prompt or storyline or just some high frequency and/or compelling structures, and deciding what other language they will use with their students to talk and ask about.  Often we teachers go way too wide, stuffing a simple storyline with 6 or 10 verb structures or forms, lots of glue and transition words, some rejoinders and other new-sounding vocab.  But we must err on the side of simple and narrow, (I say this to remind myself, too!) especially for novice learners.  In the case of our temple students, we will assume they are all absolute beginners in Hebrew, even though some are ‘sloshers’ (this is Terry Waltz’s excellent term), who have isolated words and phrases, songs, poems, prayers and other memorized chunks from past instruction sloshing around their brains.  Because they have not been exposed to comprehensible, compelling and contextualized extended discourse in Hebrew, we will start building their Hebrew foundation slowly, from the ground up.

Back to the story and the clip.  It’s about a guy who’s sleeping.  He gets up and sleepwalks to the fridge, which is empty, then to the supermarket, which is also empty.  Bingo!!  We have a classic storyline – someone wants or needs something and goes from location to location to find it!

We began asking and dramatizing the plot in our training session.  I instructed one of the teachers to lay down and pretend to sleep…then open her mouth in search of something to eat.  We had her sleepwalk all over the temple library – we even had her open the fridge in the adjacent kitchen!  On my cuing, she considered but rejected several of the offerings on the breakfast buffet – the yogurt, the banana, the bagel – until she found something she liked, “woke up,” and pretended to eat it.  The end.

According to Terry Waltz’s Cold Character Reading (CCR) protocol, the students must hear and comprehend target structures around +- 70 times apiece in an oral class, then have the written version reinforce these target structures another 30 times or so.  I wrote up the Hebrew story, What’s the problem?  but with slight variation for interest, matching the action of the as yet un-screened clip.  I tried to get dozens of repetitions on my targets: ‘is sleeping’ and ‘walks’ as well as the words for ‘There is/are” and “There isn’t/aren’t.”  (A few other verb forms in the story, like ‘gets up’ aren’t really targeted – let’s assume students already know ‘gets up’ from beginning-of-year Total Physical Response [TPR] – Get up, sit down.)   ?מה הבעיה  (What’s the Problem?) is an example of a simple story line stretched out and massaged into an episodic extended block of text with lots of patterned repetition.screen-shot-2016-10-10-at-11-00-44-pm

BTW, I count the following # of reps on my targets in the reading:  Sleeps = 12; walks = 12; there is = 18; there isn’t = 13.  I’ll try to double up next time!  These ballpark numbers are for the decoding magic of Cold Character Reading to work; if students are already decoding well in Hebrew, then this is a fine classic CI story with adequate contextualized reps to boost comprehension and retention!

The teachers found it so satisfying to read, and deepened their understanding of how the earlier barrage of comprehensible, compelling and contextualized auditory input prepares their students  for successful reading (more input).

Oh, and here’s the YouTube link to the commercial for Yotvata Chocolate Milk.  Enjoy!

Our First Hebrew T/CI Training: Day 2

As I mentioned previously, teachers really seem to dig the Novice Hebrew Corpus, as it affords manageability, making story-asking feel less…daunting and unwieldy.  Combining question words with high frequency verbs and cognates or proper names/nouns feels do-able, and I demonstrated lots of engaging circling with these few key ingredients.  With the corpus in hand, we can start to imagine storylines and lines of questioning to ask stories!

Before embarking on the Foundational Skills of T/CI, we explored existing Hebrew ‘legacy’ materials that I’d brought along – basal readers, texts and workbooks commonly found in Hebrew supplementary schools.  Our teachers are now armed and able to recognize the shortcomings of these published textbooks:  They are unappealing – the pictures don’t reflect our students lives or interests; they are boring – nothing really seems to happen in the brief scenes and scripted dialogues; the Hebrew itself seems randomly chosen or focuses on religious holiday vocabulary, not basic face-to-face communication, and is not controlled for frequency or massive repetition.  It’s all over the place!  Furthermore, the beginner level basal readers invite students to decode lists of nonsense words and isolated syllables (in order to practice the Alef-Bet)…an activity long since abandoned in Language Arts classrooms, and definitely not a respectful task!

Session 2 ended with teachers brainstorming an extended scene based on  2 onscreen target structures:  ‘Sleeps’ and ‘hears.’  Imagine the possibilities!  Someone (Who?) is sleeping and suddenly hears a noise.  What is it?  An ambulance?  A dinosaur?  His telephone?  What happens next?screen-shot-2016-09-14-at-1-21-01-pm

 

The collaborative story-spinning possibilities are limited only by our (students’) creativity!